BIO
Born 1978, Melbourne, Australia
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Drawing. Video. Installation. Performance.
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Female interiority, animals and other things that interest me.
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​Selected Solo Exhibitions/Projects/Performances:
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2016
Miss Spring 1883, a performance at the Spring Art Fair 1883 in Melbourne, Australia
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2015
Farnsworth’s Republic for Dogs, an offlead dog park/dog installation, on the grounds of ACCA, Melbourne, Australia
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2012
I can’t stop living, Tolarno Galleries, Melbourne, Australia
I can’t stop living, Gertrude Contemporary Art Space, curated by Jacqueline Doughty, Melbourne, Australia
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2011
Refuse to Lose, curated by David O’Halloran, Walker Street Gallery, Dandenong, Australia
ACCA pop-up program, 3 day performance titled “Nanna, I am still searching…” at the Venice Biennale Vernissage 2011, curated by Juliana Engberg, Venice, Italy
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2010
The Poverty Show, Tolarno Galleries, Melbourne, Australia
I thought I was wrong, but it turned out I was wrong…,month-long performance, Australian Experimental Art Foundation, Adelaide, Australia
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2009
The Happy Artist, Tolarno Galleries, Exhibition Street, Melbourne, Australia
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Selected Group exhibitions / Art Fairs:
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2015
Menagerie, ACCA
Art as a Verb, Muma
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2014
Art Basel Hong Kong
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2013
Melbourne Now, curated by Max Delany, National Gallery of Victoria International, Melbourne, Australia
Bloodflowers, curated by Theodore Wohng, Seventh Gallery, Melbourne, Australia
Sifting Through Plastic Gods, curated by Michael Georgetti, VCA Margaret Lawrence Gallery, Melbourne, Australia
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2012
Primavera, curated by Anna Davis, MCA, Sydney, Australia
Like, curated by Toni Bailey, Casula Powerhouse, Sydney, Australia
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2011
The Kiss, performance, Lorne Sculpture Biennale, curated by Julie Collins, Lorne, Australia
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2010
Art in the 21st Century – the first decade, Gallery Of Modern Art (GOMA), Brisbane, Australia
Mortality, curated by Juliana Engberg, ACCA (as part of the Melbourne Festival), Melbourne, Australia
TWMA Contemporary, selected by Jan Minchin, Tarrawarra Museum of Art, Healesville, Australia
Gestures and Procedures, curated by Juliana Engberg, ACCA, Melbourne, Australia
Art#1,curated by Juliana Engberg, Shepparton Regional Art Gallery, Shepparton, Australia
Duettos, curated by Dom de Clario, Australian Experimental Art Foundation (AEAF), Adelaide, Australia
Feminism Never Happened, curated by Robert Leonard, IMA, Brisbane, Australia
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2009
Why we do the things we do, curated by Jacqueline Dougherty, Perth Institute of Contemporary Art (PICA), Perth, Australia
I’m worst at what I do best, curated by Tom Polo, Parramatta Artist Studios, Sydney, Australia
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2008
New Millenium, curated by Steven Alderton, Lismore Regional Gallery, Lismore, Australia
The 2008 Sydney Biennale, online venue, curated by Carolyn Christov-Bakargiev, Sydney, Australia
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2007
New07, curated by Juliana Engberg, ACCA, Melbourne, Australia
Thanks Duchamp!!, collaboration with Elizabeth Presa, Cite International Des Arts gallery, Paris, France
Awards:
2007
Winner of the $15000 Prometheus Visual Art Award
Shortlisted for Georges Mora fellowship
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Selected Bibliography:
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Melbourne Now, National Gallery of Victoria publication, 2013
21st Century: Art in the First Decade, by Miranda Wallace, Queensland Art Gallery/ Gallery of Modern Art (2010)
Contemporary Australia – Women, ‘Anastasia Klose’ by Emily Gray, Queensland Art Gallery/ Gallery of Modern Art, p. 100-103 (2011)
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Public Collections:
NGV, Victoria
University of Queensland, National Gallery of Victoria, The Prometheus Foundation
Anastasia Klose’s art is also held in numerous private collections around Australia
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Education:
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2005 - Honours in Fine Art (Drawing), Victorian College of the Arts (V.C.A.), Melbourne, Australia
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2004 - Bachelor of Fine Art (Drawing), V.C.A., Melbourne, Australia
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1998 - Bachelor of Arts, Philosophy and English double major, University of Melbourne, Australia